Ann-Marie Tully, Let sleeping dogs lie - Maximilion, 2012.
Gesso and oil on 100% Cotton Fabriano.
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Ann-Marie Tully, Let sleeping dogs lie - Flying Poppit,
2013. Gesso and oil on 100% Cotton Fabriano.
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Ann-Marie Tully, Let sleeping dogs lie - Flying Poppit,
2013 (detail). Gesso and oil on 100% Cotton Fabriano.
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Let
sleeping dogs lie (series)
The idea for the Let sleeping dogs lie series stems from a
current body of work that investigates the temporality of animal life in
relation to human/animal relationships and loss. The agency of animal beings is
asserted in these works that concentrate on the particularity of individual
creatures, and human perspectives. The titles of these works ironically
reference well known colloquial expressions that involve the metaphoric and
metonymic subsumption of animal characteristics in communicating human
experience and emotion. Although these anthropocentric colloquialisms often
prove to be apt communications, such expressions tend to reduce the
particularity of animal beings in a colonising humanist gesture.
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