Shewolf I and II

Ann-Marie Tully, She-wolf  I (installation view at the Pointure exhibition), 

2012. Gesso and oil on Fabriano, fake fur, cotton thread. 1000mm x 700mm.

Ann-Marie Tully, She-wolf  II, 2012. Gesso and oil on Fabriano, fake fur, 

cotton thread. 150mm x 350mm

Dog-Eat-Dog (glass series).

Ann-Marie Tully, Dog-eat-dog, oil on glass series, front installation 
view at the ZOO exhibition (2013). Sold.

Ann-Marie Tully, Dog-eat-dog, oil on glass series, back installation 
view at the ZOO exhibition (2013). Sold.

Ann-Marie Tully, Dog-eat-dog, oil on glass series, front installation 
view at the ZOO exhibition (2013). Sold.

Ann-Marie Tully, Dog-eat-dog, oil on glass series, front installation 
view at the ZOO exhibition (2013). Sold.

Ann-Marie Tully, Dog-eat-dog: Marilyn sings to the troops (back view), oil on glass,
340 mm x 275 mm. Sold.

Ann-Marie Tully, Dog-eat-dog: Marilyn sings to the troops (front view), oil on glass, 
340 mm x 275 mm. Sold.

Ann-Marie Tully, Dog-eat-dog: Miriam Makeba (pata pata) (back view), oil on glass, 
340 mm x 275 mm. Sold.

Ann-Marie Tully, Dog-eat-dog: Miriam Makeba (pata pata) (front view), oil on glass, 
340 mm x 275 mm. Sold.

Ann-Marie Tully, Dog-eat-dog: Piaf (little sparrow) (back view), oil on glass, 
340 mm x 275 mm. Sold.

Ann-Marie Tully, Dog-eat-dog: Piaf (little sparrow) (front view), oil on glass, 
340 mm x 275 mm. Sold.

The Dog—eat—dog (2010-2013) series draws on narratives and idioms that parallel human culture with lupine and other animal attributes relating to predatory and maternal instinct, ferocity and stealth, and the marginalisation (animalisation) of otherness. This glass series concentrates on photographs of singers who lived through and participated in war-time scenarios. The glass is a reference to the fragility of the voice.